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![]() The original 'rock music'
Making "rock music" with small flints
By BBC science correspondent Tom Heap
Many of the Stone Age relics lying in our museums might not simply have been tools or weapons - they could also have been musical instruments. Ian Cross, a music professor at Cambridge University, UK, believes archaeologists have overlooked the melody making potential of certain items sitting in the display cases of world museums. The researcher has been presenting his findings and demonstrating his "rock music" to the British Association's Festival of Science. "They're exactly the sort of thing that would be interpreted in an archaeological record as a tool," he said, pointing to some artefacts. "If now I strike them, there is a possibility of producing sets of tools which have different pitches and possibly producing different patterns of pitches - music." Oldest instrument The oldest known musical instrument is a bone pipe from Germany which dates back about 36,000 years. Ian Cross believes slivers of stone could have been used to make music much earlier.
He then studied the rock implements and found that some of them, when suspended, produced a very pleasant ring. Different shapes and sizes made different tones to create a melody. With the help of a very low-tech device (two elastic bands and a small empty box), he made a little sound box and cradle. Rest the stone on it and you can play a tune. Professor Cross even arranged some sounds on his computer. The plausibility of the research is supported by other scientists who have studied the development of the human mind. Babies and music Dr Stephen Mithen, from the University of Reading, UK, said that people could have been playing music even before language was developed. "We tend to think music was an add-on to language," Dr Mithen said. "It might be the other way round. Our ancestors could have been musical and language somehow evolved from that. It is a very effective way of communicating emotion." Studies have suggested that babies respond to music so early in their lives that music appreciation must be something instinctive in our brains rather than learnt from the environment. Stone glockenspiel Professor Cross admits that he still lacks conclusive physical evidence. But he thinks he can find it. When the rocks are subjected to repeated light strikes, very distinctive wear patterns appear on their surfaces - thousand of minute conical craters. The Cambridge researcher now wants to sift through the collections of stone relics in world museums to look for these unique abrasions. It may not mean we would have to reclassify an arrowhead as a plectrum, but it would make the stone glockenspiel a real possibility.
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12 Oct 99 | Sheffield 99
22 Feb 00 | Washington 2000
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